‍ ‍My photographic work explores the ways an image can hold more than a single moment. Through movement, layered exposures, bodies, water and the passage of time, I return to the relationship between what we see and what remains in memory.

Volumes and Lines

Tangiers

One Thousand and One Dreams

Dates, Forms and Umm Kulthum

Submerge Synesthesia

Synesthesia And Sonnet

Composite Forms

The Man Who Lead Me To The Echo.

Reflection – reverberation – delay – diffusion – feedback – and echo may sound more like techniques used by musicians than by photographers, but Marco’s Composite of Many Moments photographs evoke the same sensations. It’s almost as if I’m experiencing a kind of reverse synesthesia. When I was around three and a half, I had my first synesthetic experience: as I played the notes D and E on the piano, I saw the colors yellow and orange with my eyes closed. In Marco’s case, his visual work feels like music to me.

Marco imbues his photographs with an intuition of the unknown, allowing the soul to slip into his work through the cracks, while the soul of his work slips into us through reflections – reverberations – delays – and echoes.

By  Richard Horowitz

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